About Bala

Bala Skandan is a New York–based Carnatic musician, composer and educator whose work spans traditional performance, original composition and collaboration across musical traditions. Trained in both Carnatic percussion and violin, he performs on mridangam, kanjira and violin and uses konnakkol—the vocal language of Carnatic rhythm—as an integral part of his performance and teaching.

Bala’s musical foundation was shaped by many years of study in the Carnatic tradition. His earliest training in mridangam was with the late Sri Ambalavanar and Sri Sinnarajah, and his early violin training was with Sri Sarveswara Sharma. He later studied mridangam with renowned percussionist Karaikudi R. Mani and violin with T. Rukmini. His musical development was further shaped by T. V. Gopalakrishnan, whose guidance extended beyond instrumental training to a broader understanding of Carnatic music, performance and musicianship. This grounding in the classical tradition continues to inform Bala’s approach to performance, composition and improvisation.

 

As founder and artistic director of Akshara Music Ensemble, Bala creates original chamber music drawing on the rhythmic and melodic language of Indian classical music while bringing together musicians from Carnatic, Hindustani, Western classical and other contemporary traditions. Akshara has performed at venues including Lincoln Center, BAM, the Kennedy Center, the National Gallery of Art and Symphony Space. Bala’s composition Mohana Blues received the Independent Music Award for Best World Traditional Song.

Education is an equally important part of Bala’s work. He has taught and presented Carnatic music at institutions including The Juilliard School, Manhattan School of Music, New York University and Sarah Lawrence College, and has led workshops internationally, including at Escuela de Música El Puente in Buenos Aires and Amor de Dios in Madrid. His workshops and lecture-demonstrations introduce musicians from a wide range of backgrounds to Carnatic approaches to rhythm, improvisation and composition through listening, vocalization, movement and percussion.

Across these different areas of his work, Bala is interested in the same underlying idea: how a deeply rooted musical tradition can remain alive through performance, learning, creation and exchange.

Selected Highlights

2007/08 – Teaching and conducting the first Carnatic program/recital at Juilliard School of Music.

2015 – Mohana Blues, a composition for Ahshara wins the ‘Best World Traditional Song’ at the 13th annual Independent Music Awards.

2025 – Performing at the Lincoln Center Wu Tsai Theater, home to the New York Philharmonic

Musical Journey